Index: A – L
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Marvel Zombies (comic)
Marvel Zombies was initially a five-issue limited series published from December 2005 to April 2006 by Marvel Comics. The series was written by Robert Kirkman (creator of The Walking Dead) with art by Sean Phillips and covers by Arthur Suydam. The story is set in an alternate universe where the world’s superhero population has been infected with a virus which turned them into zombies. The series was spun out of events of the “Crossover” story-arc of Ultimate Fantastic Four, where the zombie Reed Richards tricked his Ultimate counterpart into opening a portal to the zombie universe.
The series of titles begins with two Ultimate Fantastic Four story arcs, “Crossover” (2005) and “Frightful” (2006), by Mark Millar and Greg Land. The story arcs were followed by a Marvel Zombies limited series by Robert Kirkman and Sean Phillips, who also created the prequel Marvel Zombies: Dead Days and sequel Marvel Zombies…
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Filth to Ashes, Flesh to Dust
Filth to Ashes, Flesh to Dust is a 2011 American horror film directed by Paul Morrell (Texas Chainsaw Musical – short) from a screenplay by Derrick Bishop (who also stars). It stars Meredith Laine, Linda Bella, Allison Ochmanek, Anton Troy, Teodorico Paul Sajor, Diana Quezada, Bianca Lemaire, Eric Lewis, Nicholas J. Leinbach, Christina Iannuzzi,
Plot:
Filth To Ashes Flesh To Dust. That was the motto the serial killer known as “Purge” lived by. A schizophrenic, driven by voices to delete the unworthy, the unpure from the human landscape. But if no one is perfect, and we all have flaws, virtually no one is safe. A group of college bound friends find that out the hard way as a trip to the presumed dead killer’s lair turns into a nightmare: Purge is alive and well. Trapped beneath the ground where no one can hear or help, the six teenagers must face…
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Elisabeth Lutyens (composer)
(Agnes) Elisabeth Lutyens (9 July 1906 – 14 April 1983) was an English composer of classical music but is best known for her contribution for scores to horror films throughout the 1960’s.
Born in London, one of five children of the architect Sir Edwin Lutyens and his wife Emily, Elisabeth studied composition at the École Normale de Musique de Paris, before accompanying her mother to India in 1923. On her return she studied with John Foulds and subsequently continued her musical education from 1926 to 1930 at the Royal College of Music in London as a pupil of Harold Darke.
Lutyens is credited with bringing the Schoenbergian serial technique to the world of film scores, not always employing or limiting herself to 12-note series; some works use a self-created 14-note progression. Schoenberg’s exploration of tonal and atonal music was a huge influence on Hammer’s early sound, the gloomy expressionism first evident in Benjamin Frankel’s 1960 score for The Curse of the Werewolf
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